Thursday, May 7, 2009

The Fourth Turning Part II

These archtypes also have refrence to "turnings" as the author describes them. There are four turnings.

The First Turning is a High —an upbeat era of strengthening institutions and weakening individualism, when a new civic order implants and the old values regime decays. Old Prophets disappear, Nomads enter elderhood, Heroes enter midlife, Artists enter young adulthood—and a new generation of Prophets is born.

The Second Turning is an Awakening —a passionate era of spiritual upheaval, when the civic order comes under attack from a new values regime. Old Nomads disappear, Heroes enter elderhood, Artists enter midlife, Prophets enter young adulthood—and a new generation of child Nomads is born.

The Third Turning is an Unraveling —a downcast era of strengthening individualism and weakening institutions, when the old civic order decays and the new values regime implants. Old Heroes disappear, Artists enter elderhood, Prophets enter midlife, Nomads enter young adulthood—and a new generation of child Heroes is born.

The Fourth Turning is a Crisis —a decisive era of secular upheaval, when the values regime propels the replacement of the old civic order with a new one. Old Artists disappear, Prophets enter elderhood, Nomads enter midlife, Heroes enter young adulthood—and a new generation of child Artists is born.

Like the four seasons of nature, the four turnings of history are equally necessary and important. Awakenings and Crises are the saecular solstices, summer and winter, each a solution to a challenge posed by the other. Highs and Unravelings are the saecular equinoxes, spring and autumn, each coursing a path directionally opposed to the other. When a society moves into an Awakening or Crisis, the new mood announces itself as a sudden turn in social direction. An Awakening begins when events trigger a revolution in the culture, a Crisis when events trigger an upheaval in public life. A High or Unraveling announces itself as a sudden consolidation of the new direction. A High begins when society perceives that the basic issues of the prior Crisis have been resolved, leaving a new civic regime firmly in place. An Unraveling begins with the perception that the Awakening has been resolved, leaving a new cultural mindset in place. The gateway to a new turning can be obvious and dramatic (like the 1929 Stock Crash) or subtle and gradual (like 1984’s Morning in America). It usually occurs two to five years after a new generation of children starts being born. The tight link between turning gateways and generational boundaries enables each archetype to fill an entire phase-of-life just as the mood of an old turning grows stale and feels ripe for replacement with something new.

The four turnings comprise a quaternal social cycle of growth, maturation, entropy, and death (and rebirth). In a springlike High, a society fortifies and builds and converges in an era of promise. In a summerlike Awakening, it dreams and plays and exults in an era of euphoria. In an autumnal Unraveling, it harvests and consumes and diverges in an era of anxiety. In a hibernal Crisis, it focuses and struggles and sacrifices in an era of survival. When the saeculum is in motion, therefore, no long human lifetime can go by without a society confronting its deepest spiritual and worldly needs. Modernity has thus far produced six repetitions of each turning, each repetition lasting roughly the duration of a phase of life and corresponding to an identical constellation of generational archetypes. Each sequential set of four turnings constitutes a saeculum. (Pretty much all of this was taken directly from Fourth Turning )

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